Mentor and Teacher on Jazz Scene, Dies
By Ben Ratliff, New York Times.
Arnie Lawrence, a jazz saxophonist and pioneering educator who helped found
the jazz program at the New School University in New York and started an
innovative program to train young jazz musicians of both Jewish and Arab
backgrounds in Israel, died on April 22 in Jerusalem. He was 66 and lived in
Jerusalem. The cause was lung and liver cancer, said his son Erik Lawrence.
Mr. Lawrence grew up in the Brownsville area of Brooklyn and was playing
professionally in the Catskills at age 12. In the early 1960's he worked in
Los Angeles for two years, including a stint with Chico Hamilton's band; he
can be heard on one of Mr. Hamilton's better-known albums, "The Dealer."
By 1963 he had returned to New York, working with Clark Terry, among others,
and in 1967 joined the house band of Johnny Carson's "Tonight" show as lead
alto player. He stayed with the show until it moved to Los Angeles, in 1972.
Later in the 1970's he worked with Dizzy Gillespie, Liza Minnelli, and
Blood, Sweat and Tears, and led two groups, Treasure Island and Children of
All Ages.
But it was perhaps Mr. Lawrence's career as an educator that made the
biggest impact on the jazz world. He started in the mid-1970's, with
artist-in-residence jobs in Kentucky and Kansas. In 1986, he helped found
the jazz and contemporary music program at the New School in Manhattan, and
became a full-time faculty member. The program became known for an
unorthodox, less academic approach, breaking down the walls of the
institution to take the students out into the jazz scene in the city. He was
a mentor to a generation of New York jazz musicians, including Brad Mehldau,
Roy Hargrove and Larry Goldings.
In 1997 Mr. Lawrence moved to Israel, founding the International Center for
Creative Music, Jerusalem. With some public support and his own savings, he
attempted to bridge the Jewish and Arab worlds through jazz education,
though he insisted that he was simply bringing musicians together and did
not care what their backgrounds were.
"I've been called naive and stupid and perhaps a bit crazy," he told a
reporter for United Press International in 2001. "Maybe I am. But I have
hope."
The school was housed in a building offered by the Jerusalem municipality's
department of culture, but it was not accredited; it had no tuition,
diplomas or age requirements, and the emphasis was less on music-theory
instruction than on the cooperative experience.
Mr. Lawrence also promoted two charities working for peace and for the
safety of children in conflict areas, God Bless the Child and Blues for
Peace.
For a time, he ran a small club in Jerusalem called Arnie's Jazz
Underground, and before rising tensions made it impossible, he played with
Jewish and Palestinian musicians at the Flamingo club in the West Bank city
of Ramallah.
In addition to his son Erik, of Putney, Vt., Mr. Lawrence is survived by his
wife, Liza, of Jerusalem; his sons Scott, of Ellicott City, Md., and Danny,
of Jerusalem; two daughters, Marya, of Manhattan, and Jana, of Shreveport,
La; a brother, Howard, of New York; and seven grandchildren.
New York Times article, April 29, 2005

Remembering Arnie Lawrence by Johnny Mayer
Remembering Arnie Lawrence by Johnny Mayer
OK Arnie, so your up there in Heaven leading your Band of Angels.. you gave so much to so many people here in Jerusalem and Israel, we really miss you.. I happened to know a couple of your close friends who where also my mentors.. like you, they just got on my ass all the time.. Jimmy Cheatham who played bass trombone for Duke Ellington, and Charlie Fishman, (Dizzy Gillespie's manager and producer of the Duke Ellington Jazz Festival in Washington D.C).
I'll never forget the last time I saw you play.. it was at Hadssah Hospital in Jerusalem.. you were sitting in a wheel chair and I came over and gave you a "Blues for Peace" pendant, which you put on.. a while later, lots of musicians came to be with you and some started to play their instruments...after a while, you slowly started to get up and put on your saxophone and play.. it wasn't too good.. sorry Arnie, it really hurt me to hear you play so bad.. but just when I thought.. "Please Arnie, sit down, you're too weak to play"... you started to get a little stronger and the notes started to ring out, and before you knew it you were standing upright and wailin' the Blues!
I was shocked and could not belive it.. the music was in your body and soul.. just waiting to come out and share your love of life with everyone like always... nobody in the room could touch you man! You're still my inspiration and mentor and your music lives on in all of your desciples here in Jerusalem, NYC, Timbuktu and knows where else your "Band of Angels" are playing tonight. Johnny Mayer
P.S. I also still have the silver bullet you gave me in exchange for my "Blues for Peace" hat.. you want it back?